(Left) Dress by Margaret Howell; camel scarf by COS; lilac scarf by Folk; mustard scarf by Toast. (Right) Dress by MHL by Margaret Howell; navy and gray scarf by GANT Rugger; pink scarf by Folk; burgundy scarf by Margaret Howell My family feels very strongly about scarves. They wear them devotedly and generously give them to one another, but then “borrow” them back, sometimes without asking and for extended periods. It’s not uncommon for my dad to say to my sister, “That’s a great scarf—is it mine?” I shake my head, but I understand the connection people have to scarves. After all, you develop an attachment to something you wear every day. A good scarf does more than keep us warm: It shows the world a hint of personality, a flash of color, a blaze of pattern and a sense of style. While the rest of your wardrobe rotates, the perfect scarf captures your feelings for the season. Many years ago as a student in Paris, as the weather turned cooler I began to consider what scarf to wear. I didn’t want to look too eager and be the first person This story is from Kinfolk Issue Fourteen Buy Now Related Stories Fashion Films Issue 47 Farida Khelfa France’s fashion muse. Fashion Issue 47 Between Us The world looks brighter among old friends. Fashion Issue 47 Veneda Carter An interview with a superstar stylist. Design Fashion Issue 47 Jean Touitou The A.P.C. founder on the demands of hype and craft. Arts & Culture Fashion Issue 47 Last Night What did New York stylist Beverly Nguyen do with her evening? Fashion Issue 46 Home Free The upside of downtime on a slow Sunday afternoon.
Arts & Culture Fashion Issue 47 Last Night What did New York stylist Beverly Nguyen do with her evening?