Nicolas Ouchenir calls from the Cannes Film Festival and switches his phone to video mode so that a panorama of the Mediterranean before him can be appreciated. He is seated at a long table that has been laid for a lavish lunch. Giddily, he zooms the camera in on a place card scrawled in the elegant calligraphy that has made him France’s go-to man for all manners of correspondence. “Penelope Cruz,” it reads. When the camera resumes focus on his face, he’s grinning. “It’s a good life, ” he says, glancing at the brilliant sunshine and spectacular views afforded from the terrace. Calligraphy—deriving from the Greek words kallos (beauty) and graphein (to write)—has long been an esteemed art form and Ouchenir, who counts Christian Dior Couture, Chloé, Chanel and many more of the world’s most storied fashion houses as clients, has built an illustrious career from his command of the fountain pen. This story is from Kinfolk Issue Twenty-Nine Buy Now Related Stories Arts & Culture Issue 19 Going Incognito We all secretly wonder what mischief we’d make if invisible: When our identity is hidden, everything seems possible. Arts & Culture Issue 19 The Best Policy Sometimes we talk to each other without feeling heard. Honesty—a most intimate interaction—can be just as thrilling as its more devious inverse. Arts & Culture Issue 19 A Sense of Suspense With unhinged imaginations and mountains of cliff-hangers, the filmmakers behind the sci-fi podcast Limetown have all the makings of a scary story. Arts & Culture Issue 19 Like Clockwork In this new column about time, we learn how slipping off our watches makes us feel like deadline-damning renegades. Arts & Culture Music Issue 19 On a Grander Scale Malaysian singer-songwriter Yuna now may live on the opposite side of the globe, but she’s determined to evolve while staying true to her roots. Arts & Culture Issue 19 Neighborhood: Fire Stations The firefighting profession has evolved over time from Ancient Rome’s rudimentary bucket brigades to today’s sleek life-saving departments.