Photograph: Bea Feitler and Ruth Ansel, New York (c. 1965) by Richard Avedon. © The Richard Avedon Foundation. The history-making collaboration between Ruth Ansel and Bea Feitler came about as the result of a bitter argument. In 1962, Harper’s Bazaar art director Marvin Israel was fired on the spot by Editor-in-Chief Nancy White, after he commissioned a cover featuring a model who looked exactly like the magazine’s iconic former fashion editor, Diana Vreeland—a heavy-handed insinuation that Vreeland should have been given the top job. This story is from Kinfolk Issue Thirty-Four Buy Now Related Stories Arts & Culture Issue 19 Going Incognito We all secretly wonder what mischief we’d make if invisible: When our identity is hidden, everything seems possible. Arts & Culture Issue 19 The Best Policy Sometimes we talk to each other without feeling heard. Honesty—a most intimate interaction—can be just as thrilling as its more devious inverse. Arts & Culture Issue 19 A Sense of Suspense With unhinged imaginations and mountains of cliff-hangers, the filmmakers behind the sci-fi podcast Limetown have all the makings of a scary story. Arts & Culture Issue 19 Like Clockwork In this new column about time, we learn how slipping off our watches makes us feel like deadline-damning renegades. Arts & Culture Music Issue 19 On a Grander Scale Malaysian singer-songwriter Yuna now may live on the opposite side of the globe, but she’s determined to evolve while staying true to her roots. Arts & Culture Issue 19 Neighborhood: Fire Stations The firefighting profession has evolved over time from Ancient Rome’s rudimentary bucket brigades to today’s sleek life-saving departments.