Photograph: Bea Feitler and Ruth Ansel, New York (c. 1965) by Richard Avedon. © The Richard Avedon Foundation. The history-making collaboration between Ruth Ansel and Bea Feitler came about as the result of a bitter argument. In 1962, Harper’s Bazaar art director Marvin Israel was fired on the spot by Editor-in-Chief Nancy White, after he commissioned a cover featuring a model who looked exactly like the magazine’s iconic former fashion editor, Diana Vreeland—a heavy-handed insinuation that Vreeland should have been given the top job. This story is from Kinfolk Issue Thirty-Four Buy Now Related Stories Arts & Culture City Guide The Standard, High Line Setting a high standard in the Lower West Side. Arts & Culture Food Issue 46 At Work With: Deb Perelman The little blog that could: An interview with Smitten Kitchen’s unflappable founder. Arts & Culture Issue 46 Word: Wintering When to withdraw from the world. Arts & Culture Issue 46 Brock Colyar An interview with a professional partygoer. Arts & Culture Issue 46 Studio Visit: Yoko Kubrick In the studio with a sculptor of monuments and mythologies. Arts & Culture Issue 46 Community Inc. Can a brand be friends with its fans?