“Can you believe this used to be a car park?” Michaël Borremans asks, looking out onto the vast expanse of greenery unfolding before him. It’s hard to picture the daisy-dotted back garden of the painter’s countryside studio covered in a blanket of concrete. And yet, such was the case nine years ago, when Borremans bought the 19th-century property—formerly a baron’s hunting château—as a rural alternative to his primary studio in Ghent. Today, the site is a tableau of serenity. Ancient This story is from Kinfolk Issue Thirty-Three Buy Now Related Stories Arts & Culture Issue 51 Emily Gernild The Danish painter breathing new life into an old medium. Arts & Culture Food Issue 51 Imogen Kwok The artist takes food styling quite literally, creating accessories out of fruits and vegetables. Arts & Culture Issue 49 Karin Mamma Andersson Inside the moody, mysterious world of Sweden’s preeminent painter. Arts & Culture Issue 49 Amalie Smith The Danish arts writer finding clarity between the lines. Arts & Culture Issue 49 Studio Visit: Heidi Gustafson A cabin in the Cascade Mountains houses a hermetic artist—and her extraordinary world of natural pigments. Arts & Culture Issue 48 Jordan Casteel The acclaimed painter of people—and now plants.
Arts & Culture Food Issue 51 Imogen Kwok The artist takes food styling quite literally, creating accessories out of fruits and vegetables.
Arts & Culture Issue 49 Karin Mamma Andersson Inside the moody, mysterious world of Sweden’s preeminent painter.
Arts & Culture Issue 49 Studio Visit: Heidi Gustafson A cabin in the Cascade Mountains houses a hermetic artist—and her extraordinary world of natural pigments.
