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Japanese culture has a preference for concealment over grandeur. Take the landscape paintings of the Muromachi period, in which a few shaded lines were often used to signify mountains. How quickly the mind fills in the vast surrounding emptiness, how complete the sense becomes of unseen valleys, of frozen pools with sleeping fish! These were painters who knew how to modulate the power of the hidden, to manipulate its unique command over the imagination. But the concept was also integral


This story is from Kinfolk Issue Twenty-Five

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