In the Northern Hemisphere, fall can feel like a season of creative withdrawal: Landscapes are stripped back to their earthy skeletons, temperatures fall and our preoccupations take a turn for the domestic. But desert artists have a different way of relating to barren places: not as withered and uninspiring, but as blank canvases for huge works of art. In the 1960s, land artists and light artists—the former working with site-specific sculpture, the latter with natural and artificial illumination—beat a path to the deserts of the American West where they created enormous, often permanent works in the arid landscape. Desert art is now found around the world. House to Watch the Sunset was built by Swiss artist Not Vital near the desert city of Agadez in Niger. Constructed with traditional adobe bricks, this architectural sculpture sums up much This story is from Kinfolk Issue Thirty-Seven Buy Now Related Stories Arts & Culture Issue 42 Anna Wiener Anna Wiener was on the path to Silicon Valley success. Then she pivoted. Allyssia Alleyne charts the making of a tech-skeptic. Arts & Culture Issue 42 Influencers Anonymous Instagram content creators answer a short survey about the influencer industry. Arts & Culture Issue 42 Crazy Busy There’s no rest for the aspirational. Arts & Culture Issue 42 The Goal Keepers Not your therapist, not your friend: What accounts for the remarkable rise of the life coach? Arts & Culture Issue 42 Torrey Peters The Detransition, Baby author is living her best life. Arts & Culture Issue 42 Trash Talk On wish-cycling and wishful thinking.