In the Northern Hemisphere, fall can feel like a season of creative withdrawal: Landscapes are stripped back to their earthy skeletons, temperatures fall and our preoccupations take a turn for the domestic. But desert artists have a different way of relating to barren places: not as withered and uninspiring, but as blank canvases for huge works of art. In the 1960s, land artists and light artists—the former working with site-specific sculpture, the latter with natural and artificial illumination—beat a path to the deserts of the American West where they created enormous, often permanent works in the arid landscape. Desert art is now found around the world. House to Watch the Sunset was built by Swiss artist Not Vital near the desert city of Agadez in Niger. Constructed with traditional adobe bricks, this architectural sculpture sums up much This story is from Kinfolk Issue Thirty-Seven Buy Now Related Stories Arts & Culture Issue 19 Going Incognito We all secretly wonder what mischief we’d make if invisible: When our identity is hidden, everything seems possible. Arts & Culture Issue 19 The Best Policy Sometimes we talk to each other without feeling heard. Honesty—a most intimate interaction—can be just as thrilling as its more devious inverse. Arts & Culture Issue 19 A Sense of Suspense With unhinged imaginations and mountains of cliff-hangers, the filmmakers behind the sci-fi podcast Limetown have all the makings of a scary story. Arts & Culture Issue 19 Like Clockwork In this new column about time, we learn how slipping off our watches makes us feel like deadline-damning renegades. Arts & Culture Music Issue 19 On a Grander Scale Malaysian singer-songwriter Yuna now may live on the opposite side of the globe, but she’s determined to evolve while staying true to her roots. Arts & Culture Issue 19 Neighborhood: Fire Stations The firefighting profession has evolved over time from Ancient Rome’s rudimentary bucket brigades to today’s sleek life-saving departments.
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