The technique Paterson is using in the image above is called suminagashi, a Japanese marbling technique that translates as “ink floating." Katie Paterson’s garage contains moon dust. It’s stored alongside offcuts from a mammoth’s thighbone and a collection of wood samples from 10, 000 different trees, each acquired in the name of art. In her work, Paterson poses searching existential questions in the form of poetic acts, whether that be setting up a live phone line to a melting glacier, sending a meteorite back into space or bouncing a recording of Beethoven’s Moonlight Sonata off the surface of the moon. These This story is from Kinfolk Issue Forty Buy Now Related Stories Arts & Culture Issue 43 Space Invaders Room dividers from a Roman studio. Arts & Culture Issue 43 Peer Review: Edward Krasinski Curator Kasia Redzisz on the surreal wit of the avant-garde artist. Arts & Culture Films Music Issue 42 Peer Review Iranian artist and filmmaker Shirin Neshat pays homage to the iconic Egyptian singer Oum Kulthum. Arts & Culture Issue 41 An Artist in Tunis Dora Dalila Cheffi is building her reputation, and her home, in the Tunisian capital. Arts & Culture Issue 41 Peer Review Curator Alya Al-Mulla shares the legacy of Algerian artist Baya Mahieddine. Arts & Culture Issue 41 CULT ROOMS Inside Alexander Calder’s studio, where chaos and kinetic art found a harmonious balance.