The technique Paterson is using in the image above is called suminagashi, a Japanese marbling technique that translates as “ink floating." Katie Paterson’s garage contains moon dust. It’s stored alongside offcuts from a mammoth’s thighbone and a collection of wood samples from 10, 000 different trees, each acquired in the name of art. In her work, Paterson poses searching existential questions in the form of poetic acts, whether that be setting up a live phone line to a melting glacier, sending a meteorite back into space or bouncing a recording of Beethoven’s Moonlight Sonata off the surface of the moon. These This story is from Kinfolk Issue Forty Buy Now Related Stories Arts & Culture Issue 49 Karin Mamma Andersson Inside the moody, mysterious world of Sweden’s preeminent painter. Arts & Culture Issue 49 Amalie Smith The Danish arts writer finding clarity between the lines. Arts & Culture Issue 49 Studio Visit: Heidi Gustafson A cabin in the Cascade Mountains houses a hermetic artist—and her extraordinary world of natural pigments. Arts & Culture Issue 48 Jordan Casteel The acclaimed painter of people—and now plants. Arts & Culture Issue 48 The Art of Fashion On what artists’ clothes communicate. Arts & Culture Issue 47 Correction: The Starving Artist Bad times don’t always make for good art.
Arts & Culture Issue 49 Karin Mamma Andersson Inside the moody, mysterious world of Sweden’s preeminent painter.
Arts & Culture Issue 49 Studio Visit: Heidi Gustafson A cabin in the Cascade Mountains houses a hermetic artist—and her extraordinary world of natural pigments.
