If only the walls could talk. Fortunately, at the Villa Santo Sospir they actually can. In 1950, painter, filmmaker and bohemian all-rounder Jean Cocteau came for dinner. He ended up staying 11 years. The white walls of the newly built villa weren’t to his taste, so he proceeded to fresco nude Greek mythological dreamscapes above the fireplace. Over the next decade Cocteau simply carried on “tattooing” (to use his term) the entire edifice. More fortunately still, the villa’s owner didn’t This story is from Kinfolk Issue Twenty-One Buy Now Related Stories Interiors Issue 46 Bush Modernism Rebuilding the legacy of desert architect Alistair Knox. Interiors Issue 46 Heritage Craft A colorful guesthouse decorated by the artists of Gorée Island. Interiors Issue 46 Rural Splendor A farmhouse turned studio bordering a rugged moor. Interiors Issue 46 California Cool A mid-century post-and-beam house that blends with the nature around it. Interiors Issue 46 Gothic Revival The eclectic ornamentation of Gaudí’s first commission. Interiors Issue 46 Faded Grandeur Peeling back the layers of a scenographer's palatial suite.