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Born into a family of ceramists in the northern Italian region of Emilia-Romagna, Massimo Orsini started handling clay as a child. In the early 2000s, he acquired Mutina—a once-traditional tile factory housed in a 1970s Angelo Mangiarotti–designed building on the outskirts of Modena. From making tiles consisting of thousands of hand-arranged mosaic pieces to designing 3-D terra-cotta bricks that double as room dividers, Mutina has quickly established a niche for itself at the intersection of contemporary art and interior design.


This story is from Kinfolk Issue Thirty-Two

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