The little-known partnership between Isamu Noguchi and Martha Graham resides in a comfortable realm of reciprocal invention: art as an extension of art. Graham, born to a strict Presbyterian family in Pittsburgh in 1894, is widely considered the mother of modern dance; she revolutionized the physical vocabulary of the art form, translating primal human expression into movement and exploring the beauty of body language. A renegade and a pioneer—her influence is comparable to that of Picasso over the course of This story is from Kinfolk Issue Twenty-Four Buy Now Related Stories Arts & Culture Issue 19 Going Incognito We all secretly wonder what mischief we’d make if invisible: When our identity is hidden, everything seems possible. Arts & Culture Issue 19 The Best Policy Sometimes we talk to each other without feeling heard. Honesty—a most intimate interaction—can be just as thrilling as its more devious inverse. Arts & Culture Issue 19 A Sense of Suspense With unhinged imaginations and mountains of cliff-hangers, the filmmakers behind the sci-fi podcast Limetown have all the makings of a scary story. Arts & Culture Issue 19 Like Clockwork In this new column about time, we learn how slipping off our watches makes us feel like deadline-damning renegades. Interiors Issue 19 Prankster’s Paradise Is the nine-to-five grind approaching monotony? Arrive at the office early to even the playing field and invoke mirth for your co-workers. Arts & Culture Music Issue 19 On a Grander Scale Malaysian singer-songwriter Yuna now may live on the opposite side of the globe, but she’s determined to evolve while staying true to her roots.