There Are Black People in the Future. So goes a phrase coined by artist Alisha B. Wormsley. It’s a provocative statement, in part because it seems both obvious—why wouldn’t Black people exist in the future?—and interested in challenging the notion that they might not. For Olalekan Jeyifous, a Brooklyn-based architect and artist, the question of where Black people might exist, both geographically and otherwise, resides squarely at the center of his work. In both large-scale public art and speculative architecture, This story is from Kinfolk Issue Forty Buy Now Related Stories Arts & Culture Issue 42 Dream House The rise of renderporn. Arts & Culture Films Music Issue 42 Peer Review Iranian artist and filmmaker Shirin Neshat pays homage to the iconic Egyptian singer Oum Kulthum. Arts & Culture Issue 41 An Artist in Tunis Dora Dalila Cheffi is building her reputation, and her home, in the Tunisian capital. Arts & Culture Issue 41 Peer Review Curator Alya Al-Mulla shares the legacy of Algerian artist Baya Mahieddine. Arts & Culture Issue 41 CULT ROOMS Inside Alexander Calder’s studio, where chaos and kinetic art found a harmonious balance. Arts & Culture Issue 41 My Favorite Thing Architect Diébédo Francis Kéré explains the significance of his carved stool.
Arts & Culture Films Music Issue 42 Peer Review Iranian artist and filmmaker Shirin Neshat pays homage to the iconic Egyptian singer Oum Kulthum.
Arts & Culture Issue 41 An Artist in Tunis Dora Dalila Cheffi is building her reputation, and her home, in the Tunisian capital.
Arts & Culture Issue 41 Peer Review Curator Alya Al-Mulla shares the legacy of Algerian artist Baya Mahieddine.
Arts & Culture Issue 41 CULT ROOMS Inside Alexander Calder’s studio, where chaos and kinetic art found a harmonious balance.
Arts & Culture Issue 41 My Favorite Thing Architect Diébédo Francis Kéré explains the significance of his carved stool.
