Laura Nyro was a songwriter’s songwriter, a prodigiously talented teenager from Connecticut, but inextricably linked to New York City. Between 1967 and 1971, she released five records of soul-meets-gospel-meets-show tunes-meets-rock ’n’ roll, influencing everyone from Elton John to Carole King to Joni Mitchell. I’m not sure I got Nyro as a kid, when her music would float through the walls of my bedroom from a record player elsewhere in our house in Wales. There’d be the odd flash of something. The climax of “Tom Cat Goodby”—where the shuffling pop of the first half segues into the terse, tense repetitive line: I’m going to the country, gonna kill my lover man, for instance. Her compositions and musical decisions felt like challenges, obstacles to This story is from Kinfolk Issue Thirty-six Buy Now Related Stories Arts & Culture Music Issue 19 On a Grander Scale Malaysian singer-songwriter Yuna now may live on the opposite side of the globe, but she’s determined to evolve while staying true to her roots. Arts & Culture Music Issue 20 Bring It on Home: Leon Bridges From bussing tables to playing at the White House in under two years, Leon Bridges has no plans to part ways with his humble beginnings. Arts & Culture Music Issue 21 Variations on Solitude: Glenn Gould Three decades since his death, Canadian pianist Glenn Gould’s inner life endures with as much legend as his recordings. Arts & Culture Music Issue 22 Esperanza Spalding Esperanza Spalding continues to challenge expectations and classifications—particularly her own. Arts & Culture Issue 22 This Woman’s Work In his latest book, The Kate Inside, photographer Guido Harari presents the audacious spirit and restless creativity of iconic singer Kate Bush. Arts & Culture Music Rosie Lowe London-based singer Rosie Lowe talks to us about creative recharging, the power of songwriting and the vulnerability inherent in live performance.
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