Photograph: Measure Box, 1970. Courtesy of Rebecca Horn / VG Bild Kunst / VISDA In 1964, while living in Barcelona and staying in a hotel where the rooms were rented by the hour, Rebecca Horn began her artistic career. She was 20 and had just enrolled in the Hamburg Academy of Fine Arts but had been forced to drop out: Over the next few years, she would become increasingly and inexplicably physically weak. After her parents both died, she started to feel isolated as well. By 1967, says Alexandra Müller, a curator at the This story is from Kinfolk Issue Thirty-six Buy Now Related Stories Arts & Culture Issue 19 Going Incognito We all secretly wonder what mischief we’d make if invisible: When our identity is hidden, everything seems possible. Arts & Culture Issue 19 The Best Policy Sometimes we talk to each other without feeling heard. Honesty—a most intimate interaction—can be just as thrilling as its more devious inverse. Arts & Culture Issue 19 A Sense of Suspense With unhinged imaginations and mountains of cliff-hangers, the filmmakers behind the sci-fi podcast Limetown have all the makings of a scary story. Arts & Culture Issue 19 Like Clockwork In this new column about time, we learn how slipping off our watches makes us feel like deadline-damning renegades. Arts & Culture Music Issue 19 On a Grander Scale Malaysian singer-songwriter Yuna now may live on the opposite side of the globe, but she’s determined to evolve while staying true to her roots. Arts & Culture Issue 19 Neighborhood: Fire Stations The firefighting profession has evolved over time from Ancient Rome’s rudimentary bucket brigades to today’s sleek life-saving departments.