Every morning, Sophie Hicks walks across the roof terrace that connects her home to her architecture firm. “That’s an odd bit of routine,” she confides, dressed in a sharp collared shirt and glasses. Despite living amid the abundance of restaurants and boutiques in London’s Notting Hill neighborhood, Sophie remains steadfastly enclosed within, always eating lunch at her desk and then swimming laps in her pool once the day ends. She is, says a colleague, “working while she’s walking.” This relentless efficiency has packed a lot into the past four decades. First, there was Sophie’s 10-year career in fashion, which included plum jobs as a fashion editor at Tatler and British Vogue in the ’80s. She also acted in a Fellini film, worked as a stylist for her friend Azzedine Alaïa, earned a degree in architecture, had three children and launched her own business while still in the midst of her studies. “It’s quite a lot, ” she This story is from Kinfolk Issue Twenty-Two Buy Now Related Stories Arts & Culture Design Issue 45 The New Craftsmen From the Outer Hebrides to central London, Catherine Lock is celebrating the crafts heritage of Great Britain. Design Inside Looking Out A rewilding of interior design in the heart of Milan. Design Issue 44 An Unmovable Feast A place setting stitched for every season. Design Partnerships Together Again The return of the small gathering, in partnership with Fritz Hansen. Design Issue 42 Light Snack A luminous celebration of gelatin. Design Interiors Issue 42 Studio Tour: Fernando Caruncho Gardens sit between the natural and the artificial. George Upton meets the man mediating between the two.