The appeal of the little dimple is simple. After all, it’s also known as a gelasin, derived from the Greek word meaning “to laugh.” As early as the first century, Latin poet Martial extolled its magnetic nature by deeming those without “the gelasin joyous” to have a “face less gracious.” Shakespeare exalts “pretty dimpled boys, like smiling Cupids” in Antony and Cleopatra, and in China they are still believed to be a sign of good luck. Most attribute the age-old allure of the dimple to its representation of youth, approachability and innocence. Almost all babies sport them in their chubby cheeks, and since we’re hardwired to find newborn faces adorable, dimples elicit an almost Pavlovian tug. This story is from Kinfolk Issue Thirty-six Buy Now Related Stories Arts & Culture Issue 19 Going Incognito We all secretly wonder what mischief we’d make if invisible: When our identity is hidden, everything seems possible. Arts & Culture Issue 19 The Best Policy Sometimes we talk to each other without feeling heard. Honesty—a most intimate interaction—can be just as thrilling as its more devious inverse. Arts & Culture Issue 19 A Sense of Suspense With unhinged imaginations and mountains of cliff-hangers, the filmmakers behind the sci-fi podcast Limetown have all the makings of a scary story. Arts & Culture Issue 19 Like Clockwork In this new column about time, we learn how slipping off our watches makes us feel like deadline-damning renegades. Arts & Culture Music Issue 19 On a Grander Scale Malaysian singer-songwriter Yuna now may live on the opposite side of the globe, but she’s determined to evolve while staying true to her roots. Arts & Culture Issue 19 Neighborhood: Fire Stations The firefighting profession has evolved over time from Ancient Rome’s rudimentary bucket brigades to today’s sleek life-saving departments.
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