While we can justly bemoan how smartphones, computers and other screens have contributed to flattening our lived experience of the world, flatness has long been associated with how we experience art. Though this is inevitable when engaging with paintings and photographs, almost all objects in museums and galleries are kept behind glass, cordoned off or placed in such a way so that we can only see them on a single plane and from limited vantage points. Bernini’s sculpture Apollo and Daphne was never intended as an exception to this convention as it was originally placed in the corner of a room, but it realizes its dramatic potential now that it can be seen in the round at Rome’s Galleria Borghese. Like the passage that inspired it from Ovid’s Metamorphoses, in which a young maiden turns into a tree while the gods pursue her, the 17th-century marble sculpture, though static, conveys a narrative rather than a This story is from Kinfolk Issue Thirty-Four Buy Now Related Stories Arts & Culture Issue 19 Going Incognito We all secretly wonder what mischief we’d make if invisible: When our identity is hidden, everything seems possible. Arts & Culture Issue 19 The Best Policy Sometimes we talk to each other without feeling heard. Honesty—a most intimate interaction—can be just as thrilling as its more devious inverse. Arts & Culture Issue 19 A Sense of Suspense With unhinged imaginations and mountains of cliff-hangers, the filmmakers behind the sci-fi podcast Limetown have all the makings of a scary story. Arts & Culture Issue 19 Like Clockwork In this new column about time, we learn how slipping off our watches makes us feel like deadline-damning renegades. Arts & Culture Music Issue 19 On a Grander Scale Malaysian singer-songwriter Yuna now may live on the opposite side of the globe, but she’s determined to evolve while staying true to her roots. Arts & Culture Issue 19 Neighborhood: Fire Stations The firefighting profession has evolved over time from Ancient Rome’s rudimentary bucket brigades to today’s sleek life-saving departments.