Photo: James O Davies / Historic England

HOME TOUR: SPHINX HILL

  • Words Emma Moore

John Outram’s postmodern Egyptianate fantasy.

Issue 61

, Features

,
  • Words Emma Moore

Photo: Phil Sayer / C20 Society

Walking the Thames Path near the English village of Moulsford, there’s a moment when the pastoral harmony of riverside meadows and well-mannered Victorian and Edwardian villas is broken. Suddenly, from behind the trees, appears a roofline of three sky-blue colliding arcs. Ocher pilasters rise between walls of willow green, terra-cotta discs hovering at their summits. The whole building sits long and low, its symmetrical facade facing the rising sun and the River Thames, which here in Oxfordshire goes by another name: the Isis. It may derive from the river’s Roman name, Tamesis, rather than the Egyptian goddess of magic and motherhood, but it’s nevertheless fitting as the watery border to Sphinx Hill, a masterful piece of Egyptology-infused postmodernist architecture.

FREE PREVIEW

Take a look inside Issue Sixty-One

The full version of this story is only available for subscribers

Want to enjoy full access? Subscribe Now

Subscribe Discover unlimited access to Kinfolk

  • Four print issues of Kinfolk magazine per year, delivered to your door, with twelve-months’ access to the entire Kinfolk.com archive and all web exclusives.

  • Receive twelve-months of all access to the entire Kinfolk.com archive and all web exclusives.

Learn More

Already a Subscriber? Login

Your cart is empty

Your Cart (0)