The 99 Series Part Two and The 99 Series Part One capture “the story we each carry, of loss, of oppressors, of victims, of disconnection,” writes Muluneh. Whether through cultural advocacy or ardent storytelling, Aida Muluneh’s vision of the African continent is a powerful testament to the ability of photography to bridge divides. After returning to Ethiopia as an adult after living most of her life abroad, Muluneh founded the Addis Foto Fest to celebrate global exchanges made possible by photography. Such an exchange also informs her own photography practice, which has garnered critical acclaim from institutions such as African Photography Encounters in Bamako, Mali, as well This story is from Kinfolk Issue Twenty-Seven Buy Now Related Stories Arts & Culture Issue 19 Going Incognito We all secretly wonder what mischief we’d make if invisible: When our identity is hidden, everything seems possible. Arts & Culture Issue 19 The Best Policy Sometimes we talk to each other without feeling heard. Honesty—a most intimate interaction—can be just as thrilling as its more devious inverse. Arts & Culture Issue 19 A Sense of Suspense With unhinged imaginations and mountains of cliff-hangers, the filmmakers behind the sci-fi podcast Limetown have all the makings of a scary story. Arts & Culture Issue 19 Like Clockwork In this new column about time, we learn how slipping off our watches makes us feel like deadline-damning renegades. Fashion Issue 19 The Heat of the Moment Wide eyes, tense muscles, goose-bumped skin and sweat-dotted brows. Fashion Issue 19 This Tall to Ride Amusement parks offer us a taste of danger as sweet as cotton candy.