Both in conversation and through his work, André Aciman upholds writing as a serious undertaking. Being careless with words almost inevitably produces what he abhors: prose that doesn’t seek to do any more than provide information. Grasping Aciman’s attention to precise diction and a sentence’s cadence requires only reading a page of his many essays, his memoir of childhood in Alexandria, Egypt, or his fiction—including his 2007 debut novel, Call Me By Your Name, which last year was made into an Oscar-winning film. This story is from Kinfolk Issue Twenty-Nine Buy Now Related Stories Films Issue 49 Ruben Östlund Crude, contrary—and killing it: Meet the auteur of awkwardness. Films Issue 49 Mamoudou Athie The shape-shifting actor is on a roll. Films Issue 49 Fares Fares After almost 25 years, the master actor steps behind the camera. Films Issue 48 Slaying It On the building blocks of horror. Fashion Films Issue 44 Wardrobe Malfunction Why does the fashion in films so often disappoint? Films Issue 41 Mike Leigh The remarkable director discusses starting from nothing, over and over again.
Films Issue 41 Mike Leigh The remarkable director discusses starting from nothing, over and over again.
