In a rehearsal studio at New York Live Arts, Kyle Abraham is leading his dancers like a conductor. He moves his fingers in sync with their legs as they dance through the space in athletic, sinuous formations. At one point he begins dancing himself; gliding into the middle of the room, his body alternating between animated pop-like sequences and languid balletic undulations. “Yes!” he says. The room buzzes as the dancers finish the piece, clapping for each other and collapsing This story is from Kinfolk Issue Thirty-One Buy Now Related Stories Arts & Culture Issue 50 Angela Trimbur An all-out tour de force. Arts & Culture Issue 49 Ryan Heffington Meet the man bringing choreography, community and queer joy to the desert. Arts & Culture Issue 47 Alice Sheppard On dance as a channel to commune with the body—even when it hurts. Arts & Culture City Guide The New York Edition A serene stay in the Flatiron District. Arts & Culture City Guide The Hoxton, Williamsburg A British bolthole in Brooklyn. Arts & Culture Issue 43 Last Night What did Planningtorock do with their evening?