• No products in the basket.
cart chevron-down close-disc

In a rehearsal studio at New York Live Arts, Kyle Abraham is leading his dancers like a conductor. He moves his fingers in sync with their legs as they dance through the space in athletic, sinuous formations. At one point he begins dancing himself; gliding into the middle of the room, his body alternating between animated pop-like sequences and languid balletic undulations. “Yes!” he says. The room buzzes as the dancers finish the piece, clapping for each other and collapsing


This story is from Kinfolk Issue Thirty-One

Buy Now

This story appears in a print issue of Kinfolk. You’re welcome to read this story for free or subscribe to enjoy unlimited access.


Kinfolk.com uses cookies to personalize and deliver appropriate content, analyze website traffic and display advertising. Visit our cookie policy to learn more. By clicking "Accept" you agree to our terms and may continue to use Kinfolk.com.