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Ryuichi Sakamoto is fascinated by the strange sounds made by a piano that survived the 2011 earthquake and tsunami on Japan’s eastern seaboard, despite its being thrown about by the water. “I felt as if I was playing the corpse of a piano that had drowned, ” he says in Ryuichi Sakamoto: Coda, a 2017 documentary about his life and work. This fascination is unsurprising, as it serves as an embodiment of many of his passions and predilections, including his

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This story is from Kinfolk Issue Thirty-One

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