Head (Brushwork I), Laser-cut steel painted with acrylic based paint, 2015. Failure is welcomed and doubt encouraged at The Centre for the Less Good Idea, William Kentridge’s new interdisciplinary arts incubator in Johannesburg. For its inaugural season, artists, poets, digital designers, dancers, actors, and even boxers came together, in Kentridge’s words, “to see the meaning made in the process of making” rather than focus entirely on any predetermined goals. This mission is characteristic of the South African artist, whose work—including charcoal drawings, stop-motion animation films, sculpture, opera and theater productions—is an This story is from Kinfolk Issue Twenty-Five Buy Now Related Stories Arts & Culture Issue 19 Going Incognito We all secretly wonder what mischief we’d make if invisible: When our identity is hidden, everything seems possible. Arts & Culture Issue 19 The Best Policy Sometimes we talk to each other without feeling heard. Honesty—a most intimate interaction—can be just as thrilling as its more devious inverse. Arts & Culture Issue 19 A Sense of Suspense With unhinged imaginations and mountains of cliff-hangers, the filmmakers behind the sci-fi podcast Limetown have all the makings of a scary story. Arts & Culture Issue 19 Like Clockwork In this new column about time, we learn how slipping off our watches makes us feel like deadline-damning renegades. Arts & Culture Music Issue 19 On a Grander Scale Malaysian singer-songwriter Yuna now may live on the opposite side of the globe, but she’s determined to evolve while staying true to her roots. Arts & Culture Issue 19 Neighborhood: Fire Stations The firefighting profession has evolved over time from Ancient Rome’s rudimentary bucket brigades to today’s sleek life-saving departments.