The Glyptotek tells the tale of 10, 000 different objects. Here, from sarcophagi to sculptures, the weight of history hangs at every turn. A statue of Pompey looks on with ill-disguised conceit, thrilled that his rival Julius Caesar was stabbed to death at his feet; nearby, fellow Roman emperor Caligula still appears disheartened that his statue was thrown into the Tiber by his citizens; elsewhere, a hundred disembodied heads goggle like onlookers in Elysium. Visitors can, in fact, visit the This story is from Kinfolk Issue Twenty-Two Buy Now Related Stories Arts & Culture Issue 19 Going Incognito We all secretly wonder what mischief we’d make if invisible: When our identity is hidden, everything seems possible. Arts & Culture Issue 19 The Best Policy Sometimes we talk to each other without feeling heard. Honesty—a most intimate interaction—can be just as thrilling as its more devious inverse. Arts & Culture Issue 19 A Sense of Suspense With unhinged imaginations and mountains of cliff-hangers, the filmmakers behind the sci-fi podcast Limetown have all the makings of a scary story. Arts & Culture Issue 19 Like Clockwork In this new column about time, we learn how slipping off our watches makes us feel like deadline-damning renegades. Design Issue 19 A Day in the Life: Frida Escobedo With her own firm and scores of global projects in her inventive portfolio, this architect is transforming Mexico City, one artful building at a time. Fashion Issue 19 Keeping Tempo: Henrik Vibskov From creating outlandish fashion shows to drumming in several bands, Henrik Vibskov keeps things unpredictable with his freestyle approach.