Monir at home in Tehran in 1975. Retirement has little attraction for Monir Shahroudy Farmanfarmaian, the 93-year-old grande dame of Iranian contemporary art. At her Tehran studio, she leads a small team of men who help her to design and construct her mirror mosaic sculptures, many of which are now in the permanent collections of arts institutions worldwide, such as The Guggenheim in New York City and the Victoria and Albert Museum in London. She has a diverse oeuvre—drawing, textiles, jewelry, collages, memory boxes and even pieces This story is from Kinfolk Issue Twenty-Seven Buy Now Related Stories Arts & Culture Issue 50 Close Knit Close Knit: Meet the weavers keeping traditional Egyptian tapestrymaking alive. Arts & Culture Issue 50 New Roots The Palestinian art and agriculture collective sowing seeds of community. Arts & Culture Issue 50 Museum Fatigue Bored? It’s not your fault. Arts & Culture Issue 49 Karin Mamma Andersson Inside the moody, mysterious world of Sweden’s preeminent painter. Arts & Culture Issue 49 Amalie Smith The Danish arts writer finding clarity between the lines. Arts & Culture Issue 49 Studio Visit: Heidi Gustafson A cabin in the Cascade Mountains houses a hermetic artist—and her extraordinary world of natural pigments.
Arts & Culture Issue 50 Close Knit Close Knit: Meet the weavers keeping traditional Egyptian tapestrymaking alive.
Arts & Culture Issue 50 New Roots The Palestinian art and agriculture collective sowing seeds of community.
Arts & Culture Issue 49 Karin Mamma Andersson Inside the moody, mysterious world of Sweden’s preeminent painter.
Arts & Culture Issue 49 Studio Visit: Heidi Gustafson A cabin in the Cascade Mountains houses a hermetic artist—and her extraordinary world of natural pigments.