In the 1970s, the Japanese roboticist Masahiro Mori introduced the concept of the “uncanny valley.” The valley effect occurs, he believed, when an artificial form is almost—but not quite—authentic enough to feel like the reality it is emulating. People experience an unpleasant disconnect when viewing such objects, and they become fearful and repelled. Technical perfection adds to, rather than subtracts from, the feeling; a perfect robotic face can leave the viewer disquieted and nauseated. Imperfections are sometimes added to mitigate This story is from Kinfolk Issue Thirty-Four Buy Now Related Stories Arts & Culture Issue 49 Karin Mamma Andersson Inside the moody, mysterious world of Sweden’s preeminent painter. Arts & Culture Issue 49 Jenny Odell The acclaimed author in search of lost time. Arts & Culture Issue 49 Amalie Smith The Danish arts writer finding clarity between the lines. Arts & Culture Issue 49 Ryan Heffington Meet the man bringing choreography, community and queer joy to the desert. Arts & Culture Issue 49 Nell Wulfhart Advice from a decision coach. Arts & Culture Fashion Issue 49 A World of Difference A fun lesson in cultural faux pas.
Arts & Culture Issue 49 Karin Mamma Andersson Inside the moody, mysterious world of Sweden’s preeminent painter.
Arts & Culture Issue 49 Ryan Heffington Meet the man bringing choreography, community and queer joy to the desert.
