In the 1970s, the Japanese roboticist Masahiro Mori introduced the concept of the “uncanny valley.” The valley effect occurs, he believed, when an artificial form is almost—but not quite—authentic enough to feel like the reality it is emulating. People experience an unpleasant disconnect when viewing such objects, and they become fearful and repelled. Technical perfection adds to, rather than subtracts from, the feeling; a perfect robotic face can leave the viewer disquieted and nauseated. Imperfections are sometimes added to mitigate This story is from Kinfolk Issue Thirty-Four Buy Now Related Stories Arts & Culture City Guide The Standard, High Line Setting a high standard in the Lower West Side. Arts & Culture Food Issue 46 At Work With: Deb Perelman The little blog that could: An interview with Smitten Kitchen’s unflappable founder. Arts & Culture Issue 46 Word: Wintering When to withdraw from the world. Arts & Culture Issue 46 Brock Colyar An interview with a professional partygoer. Arts & Culture Issue 46 Studio Visit: Yoko Kubrick In the studio with a sculptor of monuments and mythologies. Arts & Culture Issue 46 Community Inc. Can a brand be friends with its fans?
Arts & Culture Food Issue 46 At Work With: Deb Perelman The little blog that could: An interview with Smitten Kitchen’s unflappable founder.
Arts & Culture Issue 46 Studio Visit: Yoko Kubrick In the studio with a sculptor of monuments and mythologies.
