There are late bloomers and then there is Laurent Martin. The sculptor—a sturdily built man with bushy brows that dance across his face— began his “artist’s life” at 50 years old. Before that, the first five decades had followed a fairly ordinary path: There was a successful career as a creative director and relocation from his native France to the sunnier climes of Barcelona. He had a son and a daily routine. Then he discovered bamboo. “It was a revelation, ” Martin recalls. After becoming intrigued by the interior architecture of Barcelona’s first sushi bar, he first split some bamboo to try to simulate its structure. He was immediately obsessed; in 2004, he left behind the “artificial world” of advertising and started life again, this time as a full-time artist. He has made a career of it ever since. This story is from Kinfolk Issue Twenty-Two Buy Now Related Stories Arts & Culture Issue 19 Going Incognito We all secretly wonder what mischief we’d make if invisible: When our identity is hidden, everything seems possible. Arts & Culture Issue 19 The Best Policy Sometimes we talk to each other without feeling heard. Honesty—a most intimate interaction—can be just as thrilling as its more devious inverse. Arts & Culture Issue 19 A Sense of Suspense With unhinged imaginations and mountains of cliff-hangers, the filmmakers behind the sci-fi podcast Limetown have all the makings of a scary story. Arts & Culture Issue 19 Like Clockwork In this new column about time, we learn how slipping off our watches makes us feel like deadline-damning renegades. Food Issue 19 My Kitchen Table: Dominique Crenn French-born chef Dominique Crenn knows how to keep a level head and relishes the nights when she gets to cook to her own soundtrack. Food Issue 19 Recipe: Chamomile Cookies When your day is filled with too much excitement, taking time to sit quietly with these calming morsels and a cup of tea could be just the antidote.