There are late bloomers and then there is Laurent Martin. The sculptor—a sturdily built man with bushy brows that dance across his face— began his “artist’s life” at 50 years old. Before that, the first five decades had followed a fairly ordinary path: There was a successful career as a creative director and relocation from his native France to the sunnier climes of Barcelona. He had a son and a daily routine. Then he discovered bamboo. “It was a revelation, ” Martin recalls. After becoming intrigued by the interior architecture of Barcelona’s first sushi bar, he first split some bamboo to try to simulate its structure. He was immediately obsessed; in 2004, he left behind the “artificial world” of advertising and started life again, this time as a full-time artist. He has made a career of it ever since. This story is from Kinfolk Issue Twenty-Two Buy Now Related Stories Arts & Culture Issue 50 Close Knit Close Knit: Meet the weavers keeping traditional Egyptian tapestrymaking alive. Arts & Culture Issue 50 New Roots The Palestinian art and agriculture collective sowing seeds of community. Arts & Culture Issue 49 Checked Out Why is hotel art so boring? Arts & Culture Issue 49 Cult Rooms The history—and future—of Luna Luna Park. Arts & Culture Issue 49 Last Night What did gallerist Selma Modéer Wiking do with her evening? Arts & Culture Issue 47 Thanks, I Hate It How to give feedback to art friends.
Arts & Culture Issue 50 Close Knit Close Knit: Meet the weavers keeping traditional Egyptian tapestrymaking alive.
Arts & Culture Issue 50 New Roots The Palestinian art and agriculture collective sowing seeds of community.
